The Building

St Peter’s in History

St Peter’s lies between the site of the Anglo-Saxon hall built about 800 AD and the site of the Norman Castle built by Simon de Senlis I about 1100. Recent archaeological  research suggests that there were two earlier churches here, first a wooden building and then one of stone.

All Saints’ Church, St Giles’ Church and the Church of the Holy Sepulchre were all founded in the early 12th century. The St Peters re-build is though to be mid 12th century . We do not have evidence about excatly when  the present Romanesque church  was built.  Its unusual design with no break between the nave and the chancel suggests that St Peter’s was not a parish church but continued its  minster role as mother church with St Michael Upton and St John Kingsthorpe as its chapels.

The magnificence and detail of the stone sculpture suggests that either the Norman Earls of Northampton, Simon de Senlis II or III must have commissioned the building program. Similarities are apparent in the style of sculpture at Reading Abbey, King Henry I’s mausoleum church. Art historians draw parallels with Durham Cathedral. Motifs occurring in the sculpture patterns indicate a close link with the monks of St Andrews Priory which was Northampton’s Cluniac monastery.

Saxon St Peter’s is reputed to have  housed the  shrine of St Ragener, said to be kinsman to St Edmund, the East Anglian king, and who was slain with his uncle by the Danes in 870. The story tells that St Ragener’s burial place was discovered in St Peter’s during the reign of King Edward the Confessor and many miracles ensued. There is no historical evidence for this tale.

Devotion to  an altar dedicated to  St Ragener continued in the Norman church at least until the 15th century. We have this evidence from the Wills of townspeople up until the Reformation.

Northampton Castle was of national importance as the site of the confrontation  between Henry II and Archbishop Thomas Beckett. The negotiations there between King John and the bishops and barons, led to the proclamation of Magna Carta. It was the scene of the infamous treaty of 1328 when Edward III gave up his right to the over-lordship of Scotland. In December 1380 Parliament met at Northampton and imposed the iniquitous Poll Tax that led to the Peasants’ Revolt.

St Peter’s would have been visited by many of the participants in these events.

St Peter’s today

The present building retains many medieval features. There is striking two-tone stonework both outside and in,  rich chevron carvings on the round arches of the chancel and nave,  individually carved capitals with their intricate, naturalistic designs. The round-arched arcading all along the exterior walls just below the roof is decorated by corbel heads.

In the south aisle is displayed the magnificent  stone  slab, with its birds and beasts and its Green Man. It  was discovered in a ditch on Black Lion Hill. It appeared in 1843 as lintel to the door frame of a local cottage. Some think it may have been associated with St Ragener’s tomb, but for this there is no evidence.

The west tower had fallen down by 1607 and was rebuilt later in the 17th century. It was moved about 12 feet to the east, shortening the nave. The sumptuous triple arch at the west end of the nave was carefully rebuilt and the tower retains its Norman design with external round arched arcading.  The tower has a ring of 8 bells, first peeled in 1739 and still in regular use.

The recent restoration by the Churches Conservation Trust has highlighted the 19th century contribution to St Peter’s.  The east end was rebuilt by Sir George Gilbert Scott in the 1850s and the whole church was re-roofed at that time. Scott lowered the floor of the nave and aisles by 1 foot in order to provide the then conventional steps up to the chancel and thereby removing one of the distinct features of St Peter’s. Scott’s second son, John Oldrid Scott, carried out a scheme of stencilled decoration to the east wall in 1878-9 and an ornate carved reredos with paintings by Burlison & Grylls was installed. There is a fine brass lectern, the font has a striking painted cover by George Gilbert Scott, and there are some pleasant stained glass windows  from the second half of the 19th century.

William Smith, an important pioneer of the science of geology, is buried in the churchyard, just west of the tower. His memorial, a bust carved by Matthew Noble, is on the west wall of the south aisle. Smith died in 1839 at nearby Hazelrigg House in Marefair, while staying with George and Ann Elizabeth Baker. Their memorial is nearby. They were leaders in the restoration of the church. It was Ann Elizabeth who unpicked the plaster from the carved capitals, which had covered them up since the Reformation, revealing the splendour of sculpture  St Peter’s .